Part 1: Env. Tilling & Prep
Starting off the environmental module, creating this scene from a picture I took while I was exploring Flagler College, in St. Augustine. Simple, but I want to capture the composition of the original reference.
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| In-Engine Scene Blockout and Lighting Blockout |
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| Practicing making simple Trimsheets/Tiled Textures (1024 Res) |
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| Blender Scene |
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| Camera Match |
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| Reference (Flagler College) |
Mid Semester Resin Print
This is my first time ever printing resin, so I didn't want to do anything too complicated, just the Croc from previous turn ins. Shout out to Josh for helping.
Part 3: Final Sculpt
Final sculpt for the 625 S&W. All shots rendered in ZBrush.
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| Blender |
Part 2: Hi-Res & Sculpting
Pushed Some additional detail using Sub-D in Blender, put it in ZBrush to make sure it'll hold up. Due to lead duties for Vertical Slice, and unexpectedly getting sick, it's not where I want it right now. Regardless, I'll continue on building detail in time for the next turn in.
Additional Blender Modeling ZBrush Render
Part 1: Block Out w/ Ref
For the start of the hard-surface project, I decided to do the Smith & Wesson 625-6 Revolver, chambered in .45. I looked for as much reference and documentation as I could for realism.
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| First Blockout |
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| Unreal Render |
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| Camera Match |
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| Plasticity Render |
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| Continuity Check (+1000 curves/sheets) |
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| Ref Board |
Part 4: Final Render
Finishing up the character, redid the sculpt, redid the topology, and made a rig and animation for it. Opened his mouth as well.
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| Unreal Engine Render |
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| "Now do a silly one!" |
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| Simple Animation |
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| Simple Rig |
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| Topology |
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| Camera match with render |
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| Iray Render |
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| Final Bake |
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| Reference |
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| Some graphics (Illustrator) |
Part 3: Topology and First bake
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| Substance IRay Render |
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| Blender First Pass Topology |
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| UV Maps |
